GEAR 301 | Course Introduction and Application Information - Department of English Translation and Interpreting

Course Name

Introduction to Arts and Drawing

Code	Semester	Theory (hour/week)	Application/Lab (hour/week)	Local Credits	ECTS
GEAR 301	Fall/Spring	3	0	3	6

Prerequisites	None
Course Language	English
Course Type	Service Course
Course Level	First Cycle
Mode of Delivery	-
Teaching Methods and Techniques of the Course	Discussion Q&A Critical feedback Lecture / Presentation
National Occupation Classification	-
Course Coordinator	Dr.Öğretim Üyesi Ünsal Doğan BAŞKIR
Course Lecturer(s)	Öğr. Gör. Dr. Ezgi YAKIN
Assistant(s)	-

Course Objectives	The objective of this course is to introduce essential aspects of art history and to develop students’ basic drawing techniques.
Learning Outcomes	The students who succeeded in this course; will be able to classify the basic elements of art. will be able to draw by free hand. will be able to define important figures in art history with an aesthetic sensitivity. will be able to discuss important events in art history with a critical perspective. will be able to classify the essential tools and materials for basic drawing exercises.
Course Description	This course introduces the basic techniques of drawing and freehand drawing skills. Moreover, it also provides information about important figures and events in art history.
Related Sustainable Development Goals

Course Category	Core Courses
	Major Area Courses
	Supportive Courses
	Media and Management Skills Courses
	Transferable Skill Courses

Week	Subjects	Related Preparation
1	Introduction
2	Elements of Art / Basic Drawing: Line	Ryder, A., “The Artist's Complete Guide to Figure Drawing”, Watson-Guptill Publications. (2000) Chapter 1 Materials and Basic Techniques Horton, J., “An Introduction to Drawing”, Dorling Kindersley Publishers. (1998) Materials 2B, HB Drawing Pencil, Drawing Paper, Eraser
3	Elements of Art / Basic Drawing: Line	Ryder, A., “The Artist's Complete Guide to Figure Drawing”, Watson-Guptill Publications. (2000) Chapter 1 Materials and Basic Techniques – Making Lines Chapter 2 The Block in Horton, J., “An Introduction to Drawing”, Dorling Kindersley Publishers. (1998) Techniques / Linear Drawing 2B, HB Drawing Pencil, Drawing Paper, Eraser
4	Elements of Art / Basic Drawing: Shape	Ryder, A., “The Artist's Complete Guide to Figure Drawing”, Watson-Guptill Publications. (2000) Chapter 4 The Contour Horton, J., “An Introduction to Drawing” , Dorling Kindersley Publishers. (1998) Techniques / Form & Modeling 2B, HB Drawing Pencil, Drawing Paper, Eraser
5	Elements of Art / Basic Drawing: Form	Ryder, A., “The Artist's Complete Guide to Figure Drawing”, Watson-Guptill Publications. (2000) Chapter 5 Understanding Light and Shadow Horton, J., “An Introduction to Drawing” , Dorling Kindersley Publishers. (1998) Techniques / Tonal Drawing Drawing Pencils (HB, B series), chalk, charcoal Drawing Paper, Eraser
6	Elements of Art / Basic Drawing: Volume	Ryder, A., “The Artist's Complete Guide to Figure Drawing”, Watson-Guptill Publications. (2000) Chapter 6 Understanding Form on The Inside Chapter 7 Drawing on The Inside Drawing Pencils (HB, B series), charcoal, chalk, Drawing Paper, Eraser
7	Elements of Art / Basic Drawing: Volume, Quiz/ Critique	Drawing Pencils (HB, B series), charcoal, chalk, Drawing Paper, Eraser
8	Midterm Week
9	Elements and principles of Art and Design	Drawing Pencils (HB, B series), charcoal, chalk, Drawing Paper, Eraser
10	Elements and principles of Art and Design	Drawing Pencils (HB, B series), charcoal, chalk, Drawing Paper, Eraser
11	Presentations	Face-to-Face
12	Presentations	Face-to-Face
13	Quiz/Studio Critique	Drawing Pencils (HB, B series), charcoal, chalk, Drawing Paper, Eraser
14	Drawing	Drawing Pencils (HB, B series), charcoal Drawing Paper, Eraser
15	Drawing	Drawing Pencils (HB, B series), charcoal Drawing Paper, Eraser
16	Semester Review

Course Notes/Textbooks

Ryder, A., (2000). The Artist's Complete Guide to Figure Drawing, Watson-Guptill Publications, New York, eBook ISBN 978-0-7704-3474-8

Horton, J., (1998). An Introduction to Drawing-Dorling Kindersley Publishers, Dorling Kindersley Limited, London, ISBN 0 7513 0070 5

Suggested Readings/Materials

Hogarth, B., (1988). Drawing Dynamic Hands, Watson-Guptill Publications, New York, ISBN: 0-8320-1368-5

Winslow, V. L., (2009). Classic Human Anatomy, Watson-Guptill Publications, New York, ISBN-13: 978-0-8230-2415-5

Betti, C., (1996). Drawing: a Contemporary Approach, Harcourt Brace College Publishers, USA, ISBN 0-15-501580-X

Semester Activities	Number	Weigthing
Participation	1	10
Laboratory / Application
Field Work
Quizzes / Studio Critiques	2	40
Portfolio
Homework / Assignments	1	10
Presentation / Jury	1	30
Project	1	10
Seminar / Workshop
Oral Exams
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade	6	100
Weighting of End-of-Semester Activities on the Final Grade
Total

Semester Activities	Number	Duration (Hours)	Workload
Theoretical Course Hours (Including exam week: 16 x total hours)	16	3	48
Laboratory / Application Hours (Including exam week: '.16.' x total hours)	16		0
Study Hours Out of Class	14	3	42
Field Work			0
Quizzes / Studio Critiques	2	20	40
Portfolio			0
Homework / Assignments	1	10	10
Presentation / Jury	1	30	30
Project	1	10	10
Seminar / Workshop			0
Oral Exam			0
Midterms			0
Final Exam			0
		Total	180

#	Program Competencies/Outcomes	* Contribution Level
#	Program Competencies/Outcomes	1	2	3	4	5
1	To be able to use advanced, field-specific conceptual, theoretical, and practical knowledge acquired,	-	-	-	-	-
2	To be able to analyze and research field-specific concepts and ideas and to interpret data individually or as a team using scientific methods,	-	-	-	-	-
3	To be able to understand and use grammatical and semantic structures of the source and target languages,	-	-	-	-	-
4	To be able to obtain information about social, cultural, and historical approaches within the source and target languages and to use this information for textual analysis and production,	-	-	-	-	-
5	To be able to understand and interpret written and oral texts in the source language and to transfer these texts into the target language using a semantically and functionally appropriate language,	-	-	-	-	-
6	To be able to produce creative translations and assess the translation products critically by defining the steps, strategies and problems in the translation process in the light of field-specific theoretical knowledge and skills acquired,	-	-	-	-	-
7	To be able to transfer the theoretical knowledge and research skills within different areas of expertise to translational act,	-	-	-	-	-
8	To be able to use computer-assisted translation tools and machine translation effectively at each step of the translation process, and to follow the theoretical and practical developments in these fields,	-	-	-	-	-
9	To be able to gain awareness of the translator’s social role, job profile, and professional ethical values and to acquire workload management skills for individual or team work,	-	-	-	-	-
10	To be able to access necessary sources to improve quality at each step of the translation process and to assess the target text in accordance with the quality objectives by using these sources,	-	-	-	-	-
11	To be able to establish effective oral and written communication skills both in English and Turkish, to be able to speak a second foreign language at a good level, to be able to use a third foreign language at intermediate level,	-	-	-	-	-
12	To be able to relate the knowledge accumulated throughout the human history to their field of expertise.	-	-	-	-	-